Putri, Salsabila Dwi (2024) POWER AS CONTROL IN THE MOVIE SERIES “ANATOMY OF SCANDAL (2022)” BASED ON CRITICAL DISCOURSE ANALYSIS. Skripsi thesis, Sekolah Tinggi Bahasa Asing JIA.
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Abstract
This research aimed to analyze discursive practices and sociocultural impacts related to power and control in the movie Anatomy of a Scandal (2022). Using qualitative methods, data was gathered by observing character dialogues that reflect power control and examining the movie’s production and consumption. Teun A. Van Dijk's critical discourse analysis for the matter of power as control and Norman Fairclough's theory was applied to analyze discourse dimensions. The research found that power in face to face at (83.33%), with hidden power at (16.67%), and identified three key values: experiential (50.45%), relational (35.49%), and expressive (14.06%). The second dimension focuses on how C.J. Clarkson shaped the text through character dynamics, highlighting power in language and character portrayal. Audience consumption showed positive feedback on Anatomy of a Scandal (2022). The third dimension considers the movie’s production during the pandemic, depicting familial power amidst scandal. Netflix is the sole institution behind the movie’s creation, with the movie portraying high-level national institutions. The research explores social and cultural aspects, emphasizing that those in power often achieve their desires, using Critical Discourse Analysis to understand power and control. Keywords: power as control, critical discourse analysis, movie series
| Item Type: | Thesis (Skripsi) | ||||||||||||
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| Subjects: | Bahasa dan Sastra > Program Studi Bahasa Asing > Ilmu Linguistik Bahasa dan Sastra > ILMU BAHASA ASING > Sastra (dan Bahasa) Inggris |
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| Divisions: | Program Studi Sastra Inggris | ||||||||||||
| Depositing User: | Iwan Kurniawan, S.Sos. | ||||||||||||
| Date Deposited: | 12 Feb 2025 06:47 | ||||||||||||
| Last Modified: | 12 Feb 2025 06:47 | ||||||||||||
| URI: | http://repository.stba-jia.ac.id/id/eprint/1126 |
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